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NewtonPhotography > The directors of some of the most successful political documentaries in recent years Lawrence Bender ("An Inconvenient Truth"), Mark Dornford-May ("Son of Man"), Mani Haghighi ("Men at Work") and Malcolm McDowell ("O Lucky Malcolm") and Michael Moore talk about the public's response to political films at the Thursday "Is It Art? Is It Politics? Is There a Difference?" panel You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
NewtonPhotography > The directors of some of the most successful political documentaries in recent years Lawrence Bender ("An Inconvenient Truth"), Mark Dornford-May ("Son of Man"), Mani Haghighi ("Men at Work") and Malcolm McDowell ("O Lucky Malcolm") and Michael Moore talk about the public's response to political films at the Thursday "Is It Art? Is It Politics? Is There a Difference?" panel You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
NewtonPhotography > The directors of some of the most successful political documentaries in recent years Lawrence Bender ("An Inconvenient Truth"), Mark Dornford-May ("Son of Man"), Mani Haghighi ("Men at Work") and Malcolm McDowell ("O Lucky Malcolm") and Michael Moore talk about the public's response to political films at the Thursday "Is It Art? Is It Politics? Is There a Difference?" panel You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
NewtonPhotography > The directors of some of the most successful political documentaries in recent years Lawrence Bender ("An Inconvenient Truth"), Mark Dornford-May ("Son of Man"), Mani Haghighi ("Men at Work") and Malcolm McDowell ("O Lucky Malcolm") and Michael Moore talk about the public's response to political films at the Thursday "Is It Art? Is It Politics? Is There a Difference?" panel You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
NewtonPhotography > The directors of some of the most successful political documentaries in recent years Lawrence Bender ("An Inconvenient Truth"), Mark Dornford-May ("Son of Man"), Mani Haghighi ("Men at Work") and Malcolm McDowell ("O Lucky Malcolm") and Michael Moore talk about the public's response to political films at the Thursday "Is It Art? Is It Politics? Is There a Difference?" panel You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
NewtonPhotography > The directors of some of the most successful political documentaries in recent years Lawrence Bender ("An Inconvenient Truth"), Mark Dornford-May ("Son of Man"), Mani Haghighi ("Men at Work") and Malcolm McDowell ("O Lucky Malcolm") and Michael Moore talk about the public's response to political films at the Thursday "Is It Art? Is It Politics? Is There a Difference?" panel You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
NewtonPhotography > The directors of some of the most successful political documentaries in recent years Lawrence Bender ("An Inconvenient Truth"), Mark Dornford-May ("Son of Man"), Mani Haghighi ("Men at Work") and Malcolm McDowell ("O Lucky Malcolm") and Michael Moore talk about the public's response to political films at the Thursday "Is It Art? Is It Politics? Is There a Difference?" panel You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
NewtonPhotography > Volunteers ready to go with logo wear and snacks in front of the Old Town Playhouse. You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
NewtonPhotography > Jan Harlan, Rikk David of Blue Water, and projectionist Peter Halter and two volunteers pose before before Stanley Kubrick's first film The Killing. You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
NewtonPhotography > Doug Stanton introduces Jan Harlan before Stanley Kubrick's first film The Killing. You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
NewtonPhotography > Doug Stanton introduces Jan Harlan before Stanley Kubrick's first film The Killing. You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
NewtonPhotography > The hallway at the Old Town Playhouse. You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
Doug Stanton introduces Jan Harlan before Stanley Kubrick's first film The Killing.




You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
NewtonPhotography > Doug Stanton introduces Jan Harlan before Stanley Kubrick's first film The Killing. You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
Doug Stanton introduces Jan Harlan before Stanley Kubrick's first film The Killing.




You have permission to use this copyright photo. Please credit me as follows (Photo by Alan Newton/www.newtonphotography.us).
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