28 Jan 13.  With the inversion layer that hung around here for the better part of two weeks, we had some rather interesting temperature layers that made for higher level melting and lower level freezing. The day trip during which we went looking for the eagles saw temps around 40°F at 5K feet and 28°F at 4K feet. So snow melting at higher levels was running off and refreezing at lower levels. Made for some very nice ice sculptures. Perhaps what one might expect to see in a florist's shop as opposed to the kind of ice sculptures you see on a cruise or at a wedding. These were located right beside the road and as such were generally in the shade, but every so often we came upon a grouping where the sunlight was filtering through the trees and nicely illuminating the subjects. This looks to be a portion of a cedar branch that has been captured by the process. Above it was a series of rather large icicles which may be the subject of another mailing. Nikon D300s; 18 - 200; Aperture Priority; ISO 200; 1/400 sec @ f / 8.
William Baker House

The William Baker House is significant as a vernacular version of Classical Revival architecture. The present house, which dates to the late 1820s or early 1830s, was built by William Baker II, or his son William Baker III. The house is situated at a relatively high elevation in the sandhills and provides a view of Columbia, seen across the Congaree River and Congaree Swamp. The two-storied frame structure sits on a high basement, which enables a view of the hand-hewn logs and pegging. This house features a v-crimp metal roof and full-length hipped-roof veranda, surmounted by a center balcony with pediment. A simple balustrade connects the square columns on both levels. Two interior chimneys protrude from the medium pitched gable roof. The front entrance contains a paneled door enclosed by sidelights and a transom; the rear entrance is identical, but without the transom. The interior walls are plastered and feature wainscoting and doors that are marbleized, using the technique of featherpainting. Fireplaces are plain with dentil molding around the mantels. Wide, heart-pine flooring is found in each room. A wooden outbuilding and family cemetery are included in the nominated property. Listed in the National Register March 8, 1978.
William Baker House

The William Baker House is significant as a vernacular version of Classical Revival architecture. The present house, which dates to the late 1820s or early 1830s, was built by William Baker II, or his son William Baker III. The house is situated at a relatively high elevation in the sandhills and provides a view of Columbia, seen across the Congaree River and Congaree Swamp. The two-storied frame structure sits on a high basement, which enables a view of the hand-hewn logs and pegging. This house features a v-crimp metal roof and full-length hipped-roof veranda, surmounted by a center balcony with pediment. A simple balustrade connects the square columns on both levels. Two interior chimneys protrude from the medium pitched gable roof. The front entrance contains a paneled door enclosed by sidelights and a transom; the rear entrance is identical, but without the transom. The interior walls are plastered and feature wainscoting and doors that are marbleized, using the technique of featherpainting. Fireplaces are plain with dentil molding around the mantels. Wide, heart-pine flooring is found in each room. A wooden outbuilding and family cemetery are included in the nominated property. Listed in the National Register March 8, 1978.
William Baker House

The William Baker House is significant as a vernacular version of Classical Revival architecture. The present house, which dates to the late 1820s or early 1830s, was built by William Baker II, or his son William Baker III. The house is situated at a relatively high elevation in the sandhills and provides a view of Columbia, seen across the Congaree River and Congaree Swamp. The two-storied frame structure sits on a high basement, which enables a view of the hand-hewn logs and pegging. This house features a v-crimp metal roof and full-length hipped-roof veranda, surmounted by a center balcony with pediment. A simple balustrade connects the square columns on both levels. Two interior chimneys protrude from the medium pitched gable roof. The front entrance contains a paneled door enclosed by sidelights and a transom; the rear entrance is identical, but without the transom. The interior walls are plastered and feature wainscoting and doors that are marbleized, using the technique of featherpainting. Fireplaces are plain with dentil molding around the mantels. Wide, heart-pine flooring is found in each room. A wooden outbuilding and family cemetery are included in the nominated property. Listed in the National Register March 8, 1978.
William Baker House

The William Baker House is significant as a vernacular version of Classical Revival architecture. The present house, which dates to the late 1820s or early 1830s, was built by William Baker II, or his son William Baker III. The house is situated at a relatively high elevation in the sandhills and provides a view of Columbia, seen across the Congaree River and Congaree Swamp. The two-storied frame structure sits on a high basement, which enables a view of the hand-hewn logs and pegging. This house features a v-crimp metal roof and full-length hipped-roof veranda, surmounted by a center balcony with pediment. A simple balustrade connects the square columns on both levels. Two interior chimneys protrude from the medium pitched gable roof. The front entrance contains a paneled door enclosed by sidelights and a transom; the rear entrance is identical, but without the transom. The interior walls are plastered and feature wainscoting and doors that are marbleized, using the technique of featherpainting. Fireplaces are plain with dentil molding around the mantels. Wide, heart-pine flooring is found in each room. A wooden outbuilding and family cemetery are included in the nominated property. Listed in the National Register March 8, 1978.
See photo in original gallery.