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Tom Williams House (according to a woman in town, it was recently torn down and this is all that remains) This now enclosed example of the once common dogtrot style house was owned by and housed the family of Tom Williams, a much respected middle class farmer who donated land to the town, named in his honor, for a church and cemetery within the community. This one-story 19th century clapboard home on brick piers with a spraddle roof features six tapered, hand-hewn columns that support the front porch roof. Originally the central hall, or dogtrot, was left open to allow breezes to pass through the house. Each window is 6/6 double sash. A rear ell addition and breezeway (making the house ell-shaped) have been torn down and only one of the two original exterior corbeled cap chimneys at either end of the house remain. Listed in the National Register April 26, 1973.
Walterboro Library Society Building The Walterboro Library Society Building, constructed in 1820, is significant in the areas of architecture, literature and history. This building has served since 1820 as a center of literary activity for the Colleton County area. At the time of its nomination, the building was noted as being adaptively used as headquarters for the Colleton County Historical Society. The strong influence of the library society was evidenced by the town boundaries being fixed as “3/4 of a mile in every direction from the Walterboro Library” when Walterboro was incorporated in 1826. The library is a small, white, frame Federal style building with a side-gabled roof. The front façade’s Palladian-style door surround contains double, four-paneled doors with four-paned sidelights and a simple entablature capped by a fanlight. The sidelights and fanlight, in addition to the standard windows on either side of the entrance, have green louvered shutters. The small building’s remaining elevations each contain a similar Palladian-style window with green louvered shutters. Listed in the National Register October 14, 1971.
Old Colleton County Jail The Old Colleton County Jail is a stuccoed brick building built in 1855-56 by J. and B. Lucas of Charleston in the Gothic Revival style. The building is significant architecturally as a fine example of Gothic design in a cultural area where Gothic architecture is a rarity. Its architects, Edward C. Jones and Francis D. Lee, were well known in Charleston and throughout the state. They were in high demand at this time, with designs including courthouses, churches, college buildings, businesses and private residences all over South Carolina. The jail in part resembles a miniature, fortified castle. The front facade has crenellated parapets, turret-like structures at either corner, and a massive central tower above the main entrance. The main entrance is shielded by an extended, enclosed porch with buttresses and a central pointed archway entrance at the front and narrow slit windows on the sides. A large lancet window with hood mold is set in the massive central tower above the main entrance. Hood molds also accent the remaining windows on the front façade. Listed in the National Register May 14, 1971.
Hotel Albert Commercial Block The Hotel Albert Commercial Block is historically significant for its contributions to the social development of Walterboro, and as an ideal example of a turn of the century commerce and domestic center. The complex was built to answer the town’s need for a modern hotel with amenities to attract the newly developing automobile travelling trade, as well as establish a social haven for local residents. In addition, the complex pushed the boundaries of a rapidly growing town while providing much needed businesses, such as a bank, tack and carriage shop, and dry goods retailer. Architecturally, due to the size and out of the way location in Walterboro, the Hotel Albert complex has retained much of its original fabric and is a quintessential example of a small town hotel and commercial structure of the 1910s and 1920s. The block consists of four two-story brick structures constructed in 1912 to replace the then worn-down Walterboro Hotel located on the same site. Architect George F. Clayton of Atlanta designed the structure as an interconnecting complex, where each section augmented the function and operation of the other. Listed in the National Register March 25, 1999.
Colleton County Courthouse The Colleton County Courthouse is significant architecturally as a fine example of Greek Revival architecture whose design is attributed to Robert Mills and built by J. and B. Lucas, noted Charleston contractors. Constructed in 1820, the Colleton County Courthouse is a handsomely designed brick building stuccoed to represent stone. The entrance façade contains curved stairways with ironwork railings leading to a raised portico with an ironwork balustrade. Four Tuscan columns support the portico’s massive, undecorated entablature. The portico is framed by two pilasters and shelters a double, four-paneled door with sidelights and transom. The roofline is formed by a parapet extending the full width of the entrance façade, where it is surmounted by a shorter, second parapet. An arcaded entrance is below the raised portico. Two large wings were added to the original building in 1939. Its historical significance is derived from the fact that the first public meeting on nullification was held here in June 1828. At this meeting, Robert Barnwell Rhett delivered his militant Walterboro address urging Governor John Taylor to call an immediate session of the state legislature for the purpose of openly resisting tariff laws. In late October 1828, James Hamilton, Jr. organized a second meeting here and proclaimed the necessity of “nullification by the state…of the unauthorized act.” Listed in the National Register May 14, 1971.
Pon Pon Chapel Established in 1725 by an Act of the General Assembly, Pon Pon Chapel of Ease was one of two churches serving St. Bartholomew’s Parish after the Yemassee War (1715) aborted plans for a parish church. The chapel site was located on Parker’s Ferry Road, the busy stagecoach thoroughfare that connected Charleston and Savannah. In 1754, a brick chapel was erected to replace the earlier wooden structure. This brick chapel burned in ca.1801, causing Pon Pon Chapel to become subsequently known as the Burnt Church. The chapel was rebuilt between 1819 and 1822, and was in use until 1832 when it was again reduced to ruins. The façade of Pon Pon Chapel had a central, rounded arched entrance flanked by rounded arched windows on either side, all constructed in a brickwork pattern of one stretcher alternating with two headers. The two round windows in the façade’s upper level utilized the same brickwork pattern. The walls were constructed in Flemish bond. The chapel’s historical significance is due in part to Rev. John Wesley preaching two sermons here on April 24, 1737 and for its burial ground that contains the remains of Congressmen Aedanus Burke and O’Brien Smith, in addition to numerous local leaders. Listed in the National Register January 5, 1972.
Pon Pon Chapel Established in 1725 by an Act of the General Assembly, Pon Pon Chapel of Ease was one of two churches serving St. Bartholomew’s Parish after the Yemassee War (1715) aborted plans for a parish church. The chapel site was located on Parker’s Ferry Road, the busy stagecoach thoroughfare that connected Charleston and Savannah. In 1754, a brick chapel was erected to replace the earlier wooden structure. This brick chapel burned in ca.1801, causing Pon Pon Chapel to become subsequently known as the Burnt Church. The chapel was rebuilt between 1819 and 1822, and was in use until 1832 when it was again reduced to ruins. The façade of Pon Pon Chapel had a central, rounded arched entrance flanked by rounded arched windows on either side, all constructed in a brickwork pattern of one stretcher alternating with two headers. The two round windows in the façade’s upper level utilized the same brickwork pattern. The walls were constructed in Flemish bond. The chapel’s historical significance is due in part to Rev. John Wesley preaching two sermons here on April 24, 1737 and for its burial ground that contains the remains of Congressmen Aedanus Burke and O’Brien Smith, in addition to numerous local leaders. Listed in the National Register January 5, 1972.
Walterboro Historic District (St. Peter's A.M.E. Church) The Walterboro Historic District is a significant collection of properties located near the center of the town of Walterboro. The majority of the properties in the district were constructed between ca.1800 and ca.1945 and represent a wide range of nineteenth and early twentieth century vernacular design. The district is primarily residential in character, but also includes religious, educational, and public buildings. The visual appearance of the district reflects the historical development of the town, which was one of several South Carolina pineland villages settled during the early nineteenth century by planters in search of a healthful climate. Listed in the National Register November 10, 1980; Boundary increase June 3, 1993.
Tom Williams House (according to a woman in town, it was recently torn down and this is all that remains)

This now enclosed example of the once common dogtrot style house was owned by and housed the family of Tom Williams, a much respected middle class farmer who donated land to the town, named in his honor, for a church and cemetery within the community. This one-story 19th century clapboard home on brick piers with a spraddle roof features six tapered, hand-hewn columns that support the front porch roof. Originally the central hall, or dogtrot, was left open to allow breezes to pass through the house. Each window is 6/6 double sash. A rear ell addition and breezeway (making the house ell-shaped) have been torn down and only one of the two original exterior corbeled cap chimneys at either end of the house remain. Listed in the National Register April 26, 1973.
Tom Williams House (according to a woman in town, it was recently torn down and this is all that remains) This now enclosed example of the once common dogtrot style house was owned by and housed the family of Tom Williams, a much respected middle class farmer who donated land to the town, named in his honor, for a church and cemetery within the community. This one-story 19th century clapboard home on brick piers with a spraddle roof features six tapered, hand-hewn columns that support the front porch roof. Originally the central hall, or dogtrot, was left open to allow breezes to pass through the house. Each window is 6/6 double sash. A rear ell addition and breezeway (making the house ell-shaped) have been torn down and only one of the two original exterior corbeled cap chimneys at either end of the house remain. Listed in the National Register April 26, 1973.
Tom Williams House (according to a woman in town, it was recently torn down and this is all that remains)

This now enclosed example of the once common dogtrot style house was owned by and housed the family of Tom Williams, a much respected middle class farmer who donated land to the town, named in his honor, for a church and cemetery within the community. This one-story 19th century clapboard home on brick piers with a spraddle roof features six tapered, hand-hewn columns that support the front porch roof. Originally the central hall, or dogtrot, was left open to allow breezes to pass through the house. Each window is 6/6 double sash. A rear ell addition and breezeway (making the house ell-shaped) have been torn down and only one of the two original exterior corbeled cap chimneys at either end of the house remain. Listed in the National Register April 26, 1973.
See photo in original gallery.
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