![more from Wikipedia...
Here are the six arrangers previously mentioned, standing in front of Guernica, then on loan to the MOMA.
{Guernica is a painting by Pablo Picasso. It was created in response to the bombing of Guernica, a Basque Country village in northern Spain by German and Italian warplanes at the behest of the Spanish Nationalist forces, on 26 April 1937, during the Spanish Civil War. The Spanish Republican government commissioned Picasso to create a large mural for the Spanish display at the Exposition Internationale des Arts et Techniques dans la Vie Moderne at the 1937 World's Fair in Paris.
Guernica shows the tragedies of war and the suffering it inflicts upon individuals, particularly innocent civilians. This work has gained a monumental status, becoming a perpetual reminder of the tragedies of war, an anti-war symbol, and an embodiment of peace. Upon completion Guernica was displayed around the world in a brief tour, becoming famous and widely acclaimed. This tour helped bring the Spanish Civil War to the world's attention.]
There is a photographic blemish near and on Edwin P Finkel, but our interest now is upon the young man (who looks like he only recently started paying adult admission at movie theaters), with his arms folded...Ralph Burns.
Ralph Burns (né Ralph Jose P. Burns; 29 June, 1922 Newton, Massachusetts — 21 November, 2001 Los Angeles) was an American songwriter, bandleader, composer, conductor, arranger and bebop pianist.
Burns was born in Newton, Massachusetts where he began playing the piano as a child. In 1938, he attended the New England Conservatory of Music. He admitted that he learned the most about jazz by transcribing the works of Count Basie, Benny Goodman and Duke Ellington. While a student, Burns lived in Frances Wayne's home. Wayne was already a well-known big band singer and her brother Nick Jerret was a bandleader who began working with Burns. He found himself in the company of such famous performers as Nat King Cole and Art Tatum.
After Burns moved to New York in the early 1940s, he met Charlie Barnet and the two began working together. In 1944, he joined the Woody Herman band with members Neal Hefti, Bill Harris, Flip Phillips, Chubby Jackson and Dave Tough. Together, the group developed a powerful and distinctive sound. For 15 years, Burns wrote or arranged many of the band's major hits including "Bijou", "Northwest Passage" and "Apple Honey", and on the longer work "Lady McGowan's Dream" and the three-part Summer Sequence.
Burns worked with numerous other musicians. Stan Getz was featured as a tenor saxophone soloist on "Early Autumn", a huge hit for the band and the launching platform for Getz's solo career. Burns also worked in a small band with soloists including Bill Harris and Charlie Ventura.
The success of the Herman band provided Burns the ability to record under his own name in the 1950s. He collaborated with Billy Strayhorn, Lee Konitz and Ben Webster to create both jazz and classical recordings. He wrote compositions for Tony Bennett and Johnny Mathis and later Aretha Franklin and Natalie Cole. Burns was responsible for the arrangement and introduction of a string orchestra on two of Ray Charles's biggest hits, "Come Rain or Come Shine" and "Georgia on My Mind".
In the 1960s, Burns was freed from touring as a band pianist, and began arranging/orchestrating for Broadway including the major show Chicago, Funny Girl, No, No, Nanette, and Sweet Charity. In 1971, Burns first film assignment was for Woody Allen's Bananas. Burns worked with film-director Bob Fosse and in 1972 won the Academy Award as music supervisor for Cabaret. He composed the film scores for Lenny (1974) and Martin Scorsese's jazz-themed New York, New York (1977). Fosse again employed Burns to create the soundtrack for All That Jazz for which he also won an Academy Award in 1979. He then worked on Urban Cowboy (1980) and in 1982, Burns received another Academy Award nomination for his work in Annie.
His work for the stage was also notable. Baryshnikov on Broadway in 1980 earned Burns an Emmy Award for his work. In the 1990s, Burns arranged music for Mel Tormé, John Pizzarelli and Michael Feinstein. Burns won the Tony Award for Best Orchestrations in 1999 for Fosse and posthumously in 2002 for Thoroughly Modern Millie, which also garnered him the Drama Desk Award for Outstanding Orchestrations. The latter were won with Doug Besterman. From 1996 until his death, Burns restored many orchestrations for New York City Center's Encores! series -- revivals of both his own shows and shows originally orchestrated by others.[1] Burns was inducted into the New England Jazz Hall of Fame in 2004.
Some of his work:
Sweet Charity (1969) (orchestrator)
Move (1970) (orchestrator)
Bananas (1971) (orchestrator)
Pippin (musical) (1971) (orchestrator)
Cabaret'' (1972) (conductor, arranger, supervisor)
Lenny (1974) (music supervisor)
Mame (1974) (musical director) (orchestrator)
New York, New York (1977) (conductor, supervisor)
The World's Greatest Lover (1977) (orchestrator)
High Anxiety (1977) (orchestrator)
All That Jazz (1979) (conductor, arranger, supervisor) (uncredited)
Baryshnikov on Broadway (1980) (TV) (music arranger)
Urban Cowboy (1980) (music adaptor)
First Family (1980) (composer: additional music, uncredited, conductor, adaptor)
Bring Back Birdie (1981) (orchestrator supervisor)
Pippin: His Life and Times (1981) (TV) (music arranger)
History of the World: Part I (1981) (orchestrator: "The Spanish Inquisition")
Annie (1982) (conductor, arranger)
Jinxed! (1982) (reunion scene arranger and orchestrator)
To Be or Not to Be (1983) (orchestrator)
A Chorus Line (1985) (conductor, arranger)
In the Mood (1987) (conductor, orchestrator)
The Josephine Baker Story (1991) (TV)
Life Stinks (1991) (dance orchestrator)
The Addams Family (1991) (additional orchestrator)
Fosse (2001) (TV) (orchestrator)
Chicago (2002) (special thanks)
Awards
1973 Academy Award for Best Scoring Original Song Score or Adaptation Score – Cabaret
1980 Academy Award for Best Scoring Original Song Score or Adaptation Score – All That Jazz
1980 Emmy Award for Outstanding Achievement in Music Direction – Baryshnikov on Broadway
1999 Tony Award for Best Orchestrations – Fosse
2002 Drama Desk Award for Outstanding Orchestrations – Thoroughly Modern Millie
2002 Tony Award for Best Orchestrations – Thoroughly Modern Millie
Nominations
Nominations:
1983 Best Music, Original Song Score and Its Adaptation or Best Adaptation Score – Annie
1986 Drama Desk Award for Outstanding Orchestration – Sweet Charity
See also](/Other/Arrangers-and-Artists/i-JbLRShm/1/Ti/six%20arrangers%20%20with%20picasso%20version%20one%20fae%20darker-Ti.jpg "more from Wikipedia...
Here are the six arrangers previously mentioned, standing in front of Guernica, then on loan to the MOMA.
{Guernica is a painting by Pablo Picasso. It was created in response to the bombing of Guernica, a Basque Country village in northern Spain by German and Italian warplanes at the behest of the Spanish Nationalist forces, on 26 April 1937, during the Spanish Civil War. The Spanish Republican government commissioned Picasso to create a large mural for the Spanish display at the Exposition Internationale des Arts et Techniques dans la Vie Moderne at the 1937 World's Fair in Paris.
Guernica shows the tragedies of war and the suffering it inflicts upon individuals, particularly innocent civilians. This work has gained a monumental status, becoming a perpetual reminder of the tragedies of war, an anti-war symbol, and an embodiment of peace. Upon completion Guernica was displayed around the world in a brief tour, becoming famous and widely acclaimed. This tour helped bring the Spanish Civil War to the world's attention.]
There is a photographic blemish near and on Edwin P Finkel, but our interest now is upon the young man (who looks like he only recently started paying adult admission at movie theaters), with his arms folded...Ralph Burns.
Ralph Burns (né Ralph Jose P. Burns; 29 June, 1922 Newton, Massachusetts — 21 November, 2001 Los Angeles) was an American songwriter, bandleader, composer, conductor, arranger and bebop pianist.
Burns was born in Newton, Massachusetts where he began playing the piano as a child. In 1938, he attended the New England Conservatory of Music. He admitted that he learned the most about jazz by transcribing the works of Count Basie, Benny Goodman and Duke Ellington. While a student, Burns lived in Frances Wayne's home. Wayne was already a well-known big band singer and her brother Nick Jerret was a bandleader who began working with Burns. He found himself in the company of such famous performers as Nat King Cole and Art Tatum.
After Burns moved to New York in the early 1940s, he met Charlie Barnet and the two began working together. In 1944, he joined the Woody Herman band with members Neal Hefti, Bill Harris, Flip Phillips, Chubby Jackson and Dave Tough. Together, the group developed a powerful and distinctive sound. For 15 years, Burns wrote or arranged many of the band's major hits including \"Bijou\", \"Northwest Passage\" and \"Apple Honey\", and on the longer work \"Lady McGowan's Dream\" and the three-part Summer Sequence.
Burns worked with numerous other musicians. Stan Getz was featured as a tenor saxophone soloist on \"Early Autumn\", a huge hit for the band and the launching platform for Getz's solo career. Burns also worked in a small band with soloists including Bill Harris and Charlie Ventura.
The success of the Herman band provided Burns the ability to record under his own name in the 1950s. He collaborated with Billy Strayhorn, Lee Konitz and Ben Webster to create both jazz and classical recordings. He wrote compositions for Tony Bennett and Johnny Mathis and later Aretha Franklin and Natalie Cole. Burns was responsible for the arrangement and introduction of a string orchestra on two of Ray Charles's biggest hits, \"Come Rain or Come Shine\" and \"Georgia on My Mind\".
In the 1960s, Burns was freed from touring as a band pianist, and began arranging/orchestrating for Broadway including the major show Chicago, Funny Girl, No, No, Nanette, and Sweet Charity. In 1971, Burns first film assignment was for Woody Allen's Bananas. Burns worked with film-director Bob Fosse and in 1972 won the Academy Award as music supervisor for Cabaret. He composed the film scores for Lenny (1974) and Martin Scorsese's jazz-themed New York, New York (1977). Fosse again employed Burns to create the soundtrack for All That Jazz for which he also won an Academy Award in 1979. He then worked on Urban Cowboy (1980) and in 1982, Burns received another Academy Award nomination for his work in Annie.
His work for the stage was also notable. Baryshnikov on Broadway in 1980 earned Burns an Emmy Award for his work. In the 1990s, Burns arranged music for Mel Tormé, John Pizzarelli and Michael Feinstein. Burns won the Tony Award for Best Orchestrations in 1999 for Fosse and posthumously in 2002 for Thoroughly Modern Millie, which also garnered him the Drama Desk Award for Outstanding Orchestrations. The latter were won with Doug Besterman. From 1996 until his death, Burns restored many orchestrations for New York City Center's Encores! series -- revivals of both his own shows and shows originally orchestrated by others.[1] Burns was inducted into the New England Jazz Hall of Fame in 2004.
Some of his work:
Sweet Charity (1969) (orchestrator)
Move (1970) (orchestrator)
Bananas (1971) (orchestrator)
Pippin (musical) (1971) (orchestrator)
Cabaret'' (1972) (conductor, arranger, supervisor)
Lenny (1974) (music supervisor)
Mame (1974) (musical director) (orchestrator)
New York, New York (1977) (conductor, supervisor)
The World's Greatest Lover (1977) (orchestrator)
High Anxiety (1977) (orchestrator)
All That Jazz (1979) (conductor, arranger, supervisor) (uncredited)
Baryshnikov on Broadway (1980) (TV) (music arranger)
Urban Cowboy (1980) (music adaptor)
First Family (1980) (composer: additional music, uncredited, conductor, adaptor)
Bring Back Birdie (1981) (orchestrator supervisor)
Pippin: His Life and Times (1981) (TV) (music arranger)
History of the World: Part I (1981) (orchestrator: \"The Spanish Inquisition\")
Annie (1982) (conductor, arranger)
Jinxed! (1982) (reunion scene arranger and orchestrator)
To Be or Not to Be (1983) (orchestrator)
A Chorus Line (1985) (conductor, arranger)
In the Mood (1987) (conductor, orchestrator)
The Josephine Baker Story (1991) (TV)
Life Stinks (1991) (dance orchestrator)
The Addams Family (1991) (additional orchestrator)
Fosse (2001) (TV) (orchestrator)
Chicago (2002) (special thanks)
Awards
1973 Academy Award for Best Scoring Original Song Score or Adaptation Score – Cabaret
1980 Academy Award for Best Scoring Original Song Score or Adaptation Score – All That Jazz
1980 Emmy Award for Outstanding Achievement in Music Direction – Baryshnikov on Broadway
1999 Tony Award for Best Orchestrations – Fosse
2002 Drama Desk Award for Outstanding Orchestrations – Thoroughly Modern Millie
2002 Tony Award for Best Orchestrations – Thoroughly Modern Millie
Nominations
Nominations:
1983 Best Music, Original Song Score and Its Adaptation or Best Adaptation Score – Annie
1986 Drama Desk Award for Outstanding Orchestration – Sweet Charity
See also")
more from Wikipedia...
Here are the six arrangers previously mentioned, standing in front of Guernica, then on loan to the MOMA.
{Guernica is a painting by Pablo Picasso. It was created in response to the bombing of Guernica, a Basque Country village in northern Spain by German and Italian warplanes at the behest of the Spanish Nationalist forces, on 26 April 1937, during the Spanish Civil War. The Spanish Republican government commissioned Picasso to create a large mural for the Spanish display at the Exposition Internationale des Arts et Techniques dans la Vie Moderne at the 1937 World's Fair in Paris.
Guernica shows the tragedies of war and the suffering it inflicts upon individuals, particularly innocent civilians. This work has gained a monumental status, becoming a perpetual reminder of the tragedies of war, an anti-war symbol, and an embodiment of peace. Upon completion Guernica was displayed around the world in a brief tour, becoming famous and widely acclaimed. This tour helped bring the Spanish Civil War to the world's attention.]
There is a photographic blemish near and on Edwin P Finkel, but our interest now is upon the young man (who looks like he only recently started paying adult admission at movie theaters), with his arms folded...Ralph Burns.
Ralph Burns (né Ralph Jose P. Burns; 29 June, 1922 Newton, Massachusetts — 21 November, 2001 Los Angeles) was an American songwriter, bandleader, composer, conductor, arranger and bebop pianist.
Burns was born in Newton, Massachusetts where he began playing the piano as a child. In 1938, he attended the New England Conservatory of Music. He admitted that he learned the most about jazz by transcribing the works of Count Basie, Benny Goodman and Duke Ellington. While a student, Burns lived in Frances Wayne's home. Wayne was already a well-known big band singer and her brother Nick Jerret was a bandleader who began working with Burns. He found himself in the company of such famous performers as Nat King Cole and Art Tatum.
After Burns moved to New York in the early 1940s, he met Charlie Barnet and the two began working together. In 1944, he joined the Woody Herman band with members Neal Hefti, Bill Harris, Flip Phillips, Chubby Jackson and Dave Tough. Together, the group developed a powerful and distinctive sound. For 15 years, Burns wrote or arranged many of the band's major hits including "Bijou", "Northwest Passage" and "Apple Honey", and on the longer work "Lady McGowan's Dream" and the three-part Summer Sequence.
Burns worked with numerous other musicians. Stan Getz was featured as a tenor saxophone soloist on "Early Autumn", a huge hit for the band and the launching platform for Getz's solo career. Burns also worked in a small band with soloists including Bill Harris and Charlie Ventura.
The success of the Herman band provided Burns the ability to record under his own name in the 1950s. He collaborated with Billy Strayhorn, Lee Konitz and Ben Webster to create both jazz and classical recordings. He wrote compositions for Tony Bennett and Johnny Mathis and later Aretha Franklin and Natalie Cole. Burns was responsible for the arrangement and introduction of a string orchestra on two of Ray Charles's biggest hits, "Come Rain or Come Shine" and "Georgia on My Mind".
In the 1960s, Burns was freed from touring as a band pianist, and began arranging/orchestrating for Broadway including the major show Chicago, Funny Girl, No, No, Nanette, and Sweet Charity. In 1971, Burns first film assignment was for Woody Allen's Bananas. Burns worked with film-director Bob Fosse and in 1972 won the Academy Award as music supervisor for Cabaret. He composed the film scores for Lenny (1974) and Martin Scorsese's jazz-themed New York, New York (1977). Fosse again employed Burns to create the soundtrack for All That Jazz for which he also won an Academy Award in 1979. He then worked on Urban Cowboy (1980) and in 1982, Burns received another Academy Award nomination for his work in Annie.
His work for the stage was also notable. Baryshnikov on Broadway in 1980 earned Burns an Emmy Award for his work. In the 1990s, Burns arranged music for Mel Tormé, John Pizzarelli and Michael Feinstein. Burns won the Tony Award for Best Orchestrations in 1999 for Fosse and posthumously in 2002 for Thoroughly Modern Millie, which also garnered him the Drama Desk Award for Outstanding Orchestrations. The latter were won with Doug Besterman. From 1996 until his death, Burns restored many orchestrations for New York City Center's Encores! series -- revivals of both his own shows and shows originally orchestrated by others.[1] Burns was inducted into the New England Jazz Hall of Fame in 2004.
Some of his work:
Sweet Charity (1969) (orchestrator)
Move (1970) (orchestrator)
Bananas (1971) (orchestrator)
Pippin (musical) (1971) (orchestrator)
Cabaret'' (1972) (conductor, arranger, supervisor)
Lenny (1974) (music supervisor)
Mame (1974) (musical director) (orchestrator)
New York, New York (1977) (conductor, supervisor)
The World's Greatest Lover (1977) (orchestrator)
High Anxiety (1977) (orchestrator)
All That Jazz (1979) (conductor, arranger, supervisor) (uncredited)
Baryshnikov on Broadway (1980) (TV) (music arranger)
Urban Cowboy (1980) (music adaptor)
First Family (1980) (composer: additional music, uncredited, conductor, adaptor)
Bring Back Birdie (1981) (orchestrator supervisor)
Pippin: His Life and Times (1981) (TV) (music arranger)
History of the World: Part I (1981) (orchestrator: "The Spanish Inquisition")
Annie (1982) (conductor, arranger)
Jinxed! (1982) (reunion scene arranger and orchestrator)
To Be or Not to Be (1983) (orchestrator)
A Chorus Line (1985) (conductor, arranger)
In the Mood (1987) (conductor, orchestrator)
The Josephine Baker Story (1991) (TV)
Life Stinks (1991) (dance orchestrator)
The Addams Family (1991) (additional orchestrator)
Fosse (2001) (TV) (orchestrator)
Chicago (2002) (special thanks)
Awards
1973 Academy Award for Best Scoring Original Song Score or Adaptation Score – Cabaret
1980 Academy Award for Best Scoring Original Song Score or Adaptation Score – All That Jazz
1980 Emmy Award for Outstanding Achievement in Music Direction – Baryshnikov on Broadway
1999 Tony Award for Best Orchestrations – Fosse
2002 Drama Desk Award for Outstanding Orchestrations – Thoroughly Modern Millie
2002 Tony Award for Best Orchestrations – Thoroughly Modern Millie
Nominations
Nominations:
1983 Best Music, Original Song Score and Its Adaptation or Best Adaptation Score – Annie
1986 Drama Desk Award for Outstanding Orchestration – Sweet Charity
See also
Here are the six arrangers previously mentioned, standing in front of Guernica, then on loan to the MOMA.
{Guernica is a painting by Pablo Picasso. It was created in response to the bombing of Guernica, a Basque Country village in northern Spain by German and Italian warplanes at the behest of the Spanish Nationalist forces, on 26 April 1937, during the Spanish Civil War. The Spanish Republican government commissioned Picasso to create a large mural for the Spanish display at the Exposition Internationale des Arts et Techniques dans la Vie Moderne at the 1937 World's Fair in Paris.
Guernica shows the tragedies of war and the suffering it inflicts upon individuals, particularly innocent civilians. This work has gained a monumental status, becoming a perpetual reminder of the tragedies of war, an anti-war symbol, and an embodiment of peace. Upon completion Guernica was displayed around the world in a brief tour, becoming famous and widely acclaimed. This tour helped bring the Spanish Civil War to the world's attention.]
There is a photographic blemish near and on Edwin P Finkel, but our interest now is upon the young man (who looks like he only recently started paying adult admission at movie theaters), with his arms folded...Ralph Burns.
Ralph Burns (né Ralph Jose P. Burns; 29 June, 1922 Newton, Massachusetts — 21 November, 2001 Los Angeles) was an American songwriter, bandleader, composer, conductor, arranger and bebop pianist.
Burns was born in Newton, Massachusetts where he began playing the piano as a child. In 1938, he attended the New England Conservatory of Music. He admitted that he learned the most about jazz by transcribing the works of Count Basie, Benny Goodman and Duke Ellington. While a student, Burns lived in Frances Wayne's home. Wayne was already a well-known big band singer and her brother Nick Jerret was a bandleader who began working with Burns. He found himself in the company of such famous performers as Nat King Cole and Art Tatum.
After Burns moved to New York in the early 1940s, he met Charlie Barnet and the two began working together. In 1944, he joined the Woody Herman band with members Neal Hefti, Bill Harris, Flip Phillips, Chubby Jackson and Dave Tough. Together, the group developed a powerful and distinctive sound. For 15 years, Burns wrote or arranged many of the band's major hits including "Bijou", "Northwest Passage" and "Apple Honey", and on the longer work "Lady McGowan's Dream" and the three-part Summer Sequence.
Burns worked with numerous other musicians. Stan Getz was featured as a tenor saxophone soloist on "Early Autumn", a huge hit for the band and the launching platform for Getz's solo career. Burns also worked in a small band with soloists including Bill Harris and Charlie Ventura.
The success of the Herman band provided Burns the ability to record under his own name in the 1950s. He collaborated with Billy Strayhorn, Lee Konitz and Ben Webster to create both jazz and classical recordings. He wrote compositions for Tony Bennett and Johnny Mathis and later Aretha Franklin and Natalie Cole. Burns was responsible for the arrangement and introduction of a string orchestra on two of Ray Charles's biggest hits, "Come Rain or Come Shine" and "Georgia on My Mind".
In the 1960s, Burns was freed from touring as a band pianist, and began arranging/orchestrating for Broadway including the major show Chicago, Funny Girl, No, No, Nanette, and Sweet Charity. In 1971, Burns first film assignment was for Woody Allen's Bananas. Burns worked with film-director Bob Fosse and in 1972 won the Academy Award as music supervisor for Cabaret. He composed the film scores for Lenny (1974) and Martin Scorsese's jazz-themed New York, New York (1977). Fosse again employed Burns to create the soundtrack for All That Jazz for which he also won an Academy Award in 1979. He then worked on Urban Cowboy (1980) and in 1982, Burns received another Academy Award nomination for his work in Annie.
His work for the stage was also notable. Baryshnikov on Broadway in 1980 earned Burns an Emmy Award for his work. In the 1990s, Burns arranged music for Mel Tormé, John Pizzarelli and Michael Feinstein. Burns won the Tony Award for Best Orchestrations in 1999 for Fosse and posthumously in 2002 for Thoroughly Modern Millie, which also garnered him the Drama Desk Award for Outstanding Orchestrations. The latter were won with Doug Besterman. From 1996 until his death, Burns restored many orchestrations for New York City Center's Encores! series -- revivals of both his own shows and shows originally orchestrated by others.[1] Burns was inducted into the New England Jazz Hall of Fame in 2004.
Some of his work:
Sweet Charity (1969) (orchestrator)
Move (1970) (orchestrator)
Bananas (1971) (orchestrator)
Pippin (musical) (1971) (orchestrator)
Cabaret'' (1972) (conductor, arranger, supervisor)
Lenny (1974) (music supervisor)
Mame (1974) (musical director) (orchestrator)
New York, New York (1977) (conductor, supervisor)
The World's Greatest Lover (1977) (orchestrator)
High Anxiety (1977) (orchestrator)
All That Jazz (1979) (conductor, arranger, supervisor) (uncredited)
Baryshnikov on Broadway (1980) (TV) (music arranger)
Urban Cowboy (1980) (music adaptor)
First Family (1980) (composer: additional music, uncredited, conductor, adaptor)
Bring Back Birdie (1981) (orchestrator supervisor)
Pippin: His Life and Times (1981) (TV) (music arranger)
History of the World: Part I (1981) (orchestrator: "The Spanish Inquisition")
Annie (1982) (conductor, arranger)
Jinxed! (1982) (reunion scene arranger and orchestrator)
To Be or Not to Be (1983) (orchestrator)
A Chorus Line (1985) (conductor, arranger)
In the Mood (1987) (conductor, orchestrator)
The Josephine Baker Story (1991) (TV)
Life Stinks (1991) (dance orchestrator)
The Addams Family (1991) (additional orchestrator)
Fosse (2001) (TV) (orchestrator)
Chicago (2002) (special thanks)
Awards
1973 Academy Award for Best Scoring Original Song Score or Adaptation Score – Cabaret
1980 Academy Award for Best Scoring Original Song Score or Adaptation Score – All That Jazz
1980 Emmy Award for Outstanding Achievement in Music Direction – Baryshnikov on Broadway
1999 Tony Award for Best Orchestrations – Fosse
2002 Drama Desk Award for Outstanding Orchestrations – Thoroughly Modern Millie
2002 Tony Award for Best Orchestrations – Thoroughly Modern Millie
Nominations
Nominations:
1983 Best Music, Original Song Score and Its Adaptation or Best Adaptation Score – Annie
1986 Drama Desk Award for Outstanding Orchestration – Sweet Charity
See also
![more from Wikipedia...
Here are the six arrangers previously mentioned, standing in front of Guernica, then on loan to the MOMA.
{Guernica is a painting by Pablo Picasso. It was created in response to the bombing of Guernica, a Basque Country village in northern Spain by German and Italian warplanes at the behest of the Spanish Nationalist forces, on 26 April 1937, during the Spanish Civil War. The Spanish Republican government commissioned Picasso to create a large mural for the Spanish display at the Exposition Internationale des Arts et Techniques dans la Vie Moderne at the 1937 World's Fair in Paris.
Guernica shows the tragedies of war and the suffering it inflicts upon individuals, particularly innocent civilians. This work has gained a monumental status, becoming a perpetual reminder of the tragedies of war, an anti-war symbol, and an embodiment of peace. Upon completion Guernica was displayed around the world in a brief tour, becoming famous and widely acclaimed. This tour helped bring the Spanish Civil War to the world's attention.]
There is a photographic blemish near and on Edwin P Finkel, but our interest now is upon the young man (who looks like he only recently started paying adult admission at movie theaters), with his arms folded...Ralph Burns.
Ralph Burns (né Ralph Jose P. Burns; 29 June, 1922 Newton, Massachusetts — 21 November, 2001 Los Angeles) was an American songwriter, bandleader, composer, conductor, arranger and bebop pianist.
Burns was born in Newton, Massachusetts where he began playing the piano as a child. In 1938, he attended the New England Conservatory of Music. He admitted that he learned the most about jazz by transcribing the works of Count Basie, Benny Goodman and Duke Ellington. While a student, Burns lived in Frances Wayne's home. Wayne was already a well-known big band singer and her brother Nick Jerret was a bandleader who began working with Burns. He found himself in the company of such famous performers as Nat King Cole and Art Tatum.
After Burns moved to New York in the early 1940s, he met Charlie Barnet and the two began working together. In 1944, he joined the Woody Herman band with members Neal Hefti, Bill Harris, Flip Phillips, Chubby Jackson and Dave Tough. Together, the group developed a powerful and distinctive sound. For 15 years, Burns wrote or arranged many of the band's major hits including "Bijou", "Northwest Passage" and "Apple Honey", and on the longer work "Lady McGowan's Dream" and the three-part Summer Sequence.
Burns worked with numerous other musicians. Stan Getz was featured as a tenor saxophone soloist on "Early Autumn", a huge hit for the band and the launching platform for Getz's solo career. Burns also worked in a small band with soloists including Bill Harris and Charlie Ventura.
The success of the Herman band provided Burns the ability to record under his own name in the 1950s. He collaborated with Billy Strayhorn, Lee Konitz and Ben Webster to create both jazz and classical recordings. He wrote compositions for Tony Bennett and Johnny Mathis and later Aretha Franklin and Natalie Cole. Burns was responsible for the arrangement and introduction of a string orchestra on two of Ray Charles's biggest hits, "Come Rain or Come Shine" and "Georgia on My Mind".
In the 1960s, Burns was freed from touring as a band pianist, and began arranging/orchestrating for Broadway including the major show Chicago, Funny Girl, No, No, Nanette, and Sweet Charity. In 1971, Burns first film assignment was for Woody Allen's Bananas. Burns worked with film-director Bob Fosse and in 1972 won the Academy Award as music supervisor for Cabaret. He composed the film scores for Lenny (1974) and Martin Scorsese's jazz-themed New York, New York (1977). Fosse again employed Burns to create the soundtrack for All That Jazz for which he also won an Academy Award in 1979. He then worked on Urban Cowboy (1980) and in 1982, Burns received another Academy Award nomination for his work in Annie.
His work for the stage was also notable. Baryshnikov on Broadway in 1980 earned Burns an Emmy Award for his work. In the 1990s, Burns arranged music for Mel Tormé, John Pizzarelli and Michael Feinstein. Burns won the Tony Award for Best Orchestrations in 1999 for Fosse and posthumously in 2002 for Thoroughly Modern Millie, which also garnered him the Drama Desk Award for Outstanding Orchestrations. The latter were won with Doug Besterman. From 1996 until his death, Burns restored many orchestrations for New York City Center's Encores! series -- revivals of both his own shows and shows originally orchestrated by others.[1] Burns was inducted into the New England Jazz Hall of Fame in 2004.
Some of his work:
Sweet Charity (1969) (orchestrator)
Move (1970) (orchestrator)
Bananas (1971) (orchestrator)
Pippin (musical) (1971) (orchestrator)
Cabaret'' (1972) (conductor, arranger, supervisor)
Lenny (1974) (music supervisor)
Mame (1974) (musical director) (orchestrator)
New York, New York (1977) (conductor, supervisor)
The World's Greatest Lover (1977) (orchestrator)
High Anxiety (1977) (orchestrator)
All That Jazz (1979) (conductor, arranger, supervisor) (uncredited)
Baryshnikov on Broadway (1980) (TV) (music arranger)
Urban Cowboy (1980) (music adaptor)
First Family (1980) (composer: additional music, uncredited, conductor, adaptor)
Bring Back Birdie (1981) (orchestrator supervisor)
Pippin: His Life and Times (1981) (TV) (music arranger)
History of the World: Part I (1981) (orchestrator: "The Spanish Inquisition")
Annie (1982) (conductor, arranger)
Jinxed! (1982) (reunion scene arranger and orchestrator)
To Be or Not to Be (1983) (orchestrator)
A Chorus Line (1985) (conductor, arranger)
In the Mood (1987) (conductor, orchestrator)
The Josephine Baker Story (1991) (TV)
Life Stinks (1991) (dance orchestrator)
The Addams Family (1991) (additional orchestrator)
Fosse (2001) (TV) (orchestrator)
Chicago (2002) (special thanks)
Awards
1973 Academy Award for Best Scoring Original Song Score or Adaptation Score – Cabaret
1980 Academy Award for Best Scoring Original Song Score or Adaptation Score – All That Jazz
1980 Emmy Award for Outstanding Achievement in Music Direction – Baryshnikov on Broadway
1999 Tony Award for Best Orchestrations – Fosse
2002 Drama Desk Award for Outstanding Orchestrations – Thoroughly Modern Millie
2002 Tony Award for Best Orchestrations – Thoroughly Modern Millie
Nominations
Nominations:
1983 Best Music, Original Song Score and Its Adaptation or Best Adaptation Score – Annie
1986 Drama Desk Award for Outstanding Orchestration – Sweet Charity
See also](/Other/Arrangers-and-Artists/i-JbLRShm/1/L/six%20arrangers%20%20with%20picasso%20version%20one%20fae%20darker-L.jpg "more from Wikipedia...
Here are the six arrangers previously mentioned, standing in front of Guernica, then on loan to the MOMA.
{Guernica is a painting by Pablo Picasso. It was created in response to the bombing of Guernica, a Basque Country village in northern Spain by German and Italian warplanes at the behest of the Spanish Nationalist forces, on 26 April 1937, during the Spanish Civil War. The Spanish Republican government commissioned Picasso to create a large mural for the Spanish display at the Exposition Internationale des Arts et Techniques dans la Vie Moderne at the 1937 World's Fair in Paris.
Guernica shows the tragedies of war and the suffering it inflicts upon individuals, particularly innocent civilians. This work has gained a monumental status, becoming a perpetual reminder of the tragedies of war, an anti-war symbol, and an embodiment of peace. Upon completion Guernica was displayed around the world in a brief tour, becoming famous and widely acclaimed. This tour helped bring the Spanish Civil War to the world's attention.]
There is a photographic blemish near and on Edwin P Finkel, but our interest now is upon the young man (who looks like he only recently started paying adult admission at movie theaters), with his arms folded...Ralph Burns.
Ralph Burns (né Ralph Jose P. Burns; 29 June, 1922 Newton, Massachusetts — 21 November, 2001 Los Angeles) was an American songwriter, bandleader, composer, conductor, arranger and bebop pianist.
Burns was born in Newton, Massachusetts where he began playing the piano as a child. In 1938, he attended the New England Conservatory of Music. He admitted that he learned the most about jazz by transcribing the works of Count Basie, Benny Goodman and Duke Ellington. While a student, Burns lived in Frances Wayne's home. Wayne was already a well-known big band singer and her brother Nick Jerret was a bandleader who began working with Burns. He found himself in the company of such famous performers as Nat King Cole and Art Tatum.
After Burns moved to New York in the early 1940s, he met Charlie Barnet and the two began working together. In 1944, he joined the Woody Herman band with members Neal Hefti, Bill Harris, Flip Phillips, Chubby Jackson and Dave Tough. Together, the group developed a powerful and distinctive sound. For 15 years, Burns wrote or arranged many of the band's major hits including \"Bijou\", \"Northwest Passage\" and \"Apple Honey\", and on the longer work \"Lady McGowan's Dream\" and the three-part Summer Sequence.
Burns worked with numerous other musicians. Stan Getz was featured as a tenor saxophone soloist on \"Early Autumn\", a huge hit for the band and the launching platform for Getz's solo career. Burns also worked in a small band with soloists including Bill Harris and Charlie Ventura.
The success of the Herman band provided Burns the ability to record under his own name in the 1950s. He collaborated with Billy Strayhorn, Lee Konitz and Ben Webster to create both jazz and classical recordings. He wrote compositions for Tony Bennett and Johnny Mathis and later Aretha Franklin and Natalie Cole. Burns was responsible for the arrangement and introduction of a string orchestra on two of Ray Charles's biggest hits, \"Come Rain or Come Shine\" and \"Georgia on My Mind\".
In the 1960s, Burns was freed from touring as a band pianist, and began arranging/orchestrating for Broadway including the major show Chicago, Funny Girl, No, No, Nanette, and Sweet Charity. In 1971, Burns first film assignment was for Woody Allen's Bananas. Burns worked with film-director Bob Fosse and in 1972 won the Academy Award as music supervisor for Cabaret. He composed the film scores for Lenny (1974) and Martin Scorsese's jazz-themed New York, New York (1977). Fosse again employed Burns to create the soundtrack for All That Jazz for which he also won an Academy Award in 1979. He then worked on Urban Cowboy (1980) and in 1982, Burns received another Academy Award nomination for his work in Annie.
His work for the stage was also notable. Baryshnikov on Broadway in 1980 earned Burns an Emmy Award for his work. In the 1990s, Burns arranged music for Mel Tormé, John Pizzarelli and Michael Feinstein. Burns won the Tony Award for Best Orchestrations in 1999 for Fosse and posthumously in 2002 for Thoroughly Modern Millie, which also garnered him the Drama Desk Award for Outstanding Orchestrations. The latter were won with Doug Besterman. From 1996 until his death, Burns restored many orchestrations for New York City Center's Encores! series -- revivals of both his own shows and shows originally orchestrated by others.[1] Burns was inducted into the New England Jazz Hall of Fame in 2004.
Some of his work:
Sweet Charity (1969) (orchestrator)
Move (1970) (orchestrator)
Bananas (1971) (orchestrator)
Pippin (musical) (1971) (orchestrator)
Cabaret'' (1972) (conductor, arranger, supervisor)
Lenny (1974) (music supervisor)
Mame (1974) (musical director) (orchestrator)
New York, New York (1977) (conductor, supervisor)
The World's Greatest Lover (1977) (orchestrator)
High Anxiety (1977) (orchestrator)
All That Jazz (1979) (conductor, arranger, supervisor) (uncredited)
Baryshnikov on Broadway (1980) (TV) (music arranger)
Urban Cowboy (1980) (music adaptor)
First Family (1980) (composer: additional music, uncredited, conductor, adaptor)
Bring Back Birdie (1981) (orchestrator supervisor)
Pippin: His Life and Times (1981) (TV) (music arranger)
History of the World: Part I (1981) (orchestrator: \"The Spanish Inquisition\")
Annie (1982) (conductor, arranger)
Jinxed! (1982) (reunion scene arranger and orchestrator)
To Be or Not to Be (1983) (orchestrator)
A Chorus Line (1985) (conductor, arranger)
In the Mood (1987) (conductor, orchestrator)
The Josephine Baker Story (1991) (TV)
Life Stinks (1991) (dance orchestrator)
The Addams Family (1991) (additional orchestrator)
Fosse (2001) (TV) (orchestrator)
Chicago (2002) (special thanks)
Awards
1973 Academy Award for Best Scoring Original Song Score or Adaptation Score – Cabaret
1980 Academy Award for Best Scoring Original Song Score or Adaptation Score – All That Jazz
1980 Emmy Award for Outstanding Achievement in Music Direction – Baryshnikov on Broadway
1999 Tony Award for Best Orchestrations – Fosse
2002 Drama Desk Award for Outstanding Orchestrations – Thoroughly Modern Millie
2002 Tony Award for Best Orchestrations – Thoroughly Modern Millie
Nominations
Nominations:
1983 Best Music, Original Song Score and Its Adaptation or Best Adaptation Score – Annie
1986 Drama Desk Award for Outstanding Orchestration – Sweet Charity
See also")
more from Wikipedia...
Here are the six arrangers previously mentioned, standing in front of Guernica, then on loan to the MOMA.
{Guernica is a painting by Pablo Picasso. It was created in response to the bombing of Guernica, a Basque Country village in northern Spain by German and Italian warplanes at the behest of the Spanish Nationalist forces, on 26 April 1937, during the Spanish Civil War. The Spanish Republican government commissioned Picasso to create a large mural for the Spanish display at the Exposition Internationale des Arts et Techniques dans la Vie Moderne at the 1937 World's Fair in Paris.
Guernica shows the tragedies of war and the suffering it inflicts upon individuals, particularly innocent civilians. This work has gained a monumental status, becoming a perpetual reminder of the tragedies of war, an anti-war symbol, and an embodiment of peace. Upon completion Guernica was displayed around the world in a brief tour, becoming famous and widely acclaimed. This tour helped bring the Spanish Civil War to the world's attention.]
There is a photographic blemish near and on Edwin P Finkel, but our interest now is upon the young man (who looks like he only recently started paying adult admission at movie theaters), with his arms folded...Ralph Burns.
Ralph Burns (né Ralph Jose P. Burns; 29 June, 1922 Newton, Massachusetts — 21 November, 2001 Los Angeles) was an American songwriter, bandleader, composer, conductor, arranger and bebop pianist.
Burns was born in Newton, Massachusetts where he began playing the piano as a child. In 1938, he attended the New England Conservatory of Music. He admitted that he learned the most about jazz by transcribing the works of Count Basie, Benny Goodman and Duke Ellington. While a student, Burns lived in Frances Wayne's home. Wayne was already a well-known big band singer and her brother Nick Jerret was a bandleader who began working with Burns. He found himself in the company of such famous performers as Nat King Cole and Art Tatum.
After Burns moved to New York in the early 1940s, he met Charlie Barnet and the two began working together. In 1944, he joined the Woody Herman band with members Neal Hefti, Bill Harris, Flip Phillips, Chubby Jackson and Dave Tough. Together, the group developed a powerful and distinctive sound. For 15 years, Burns wrote or arranged many of the band's major hits including "Bijou", "Northwest Passage" and "Apple Honey", and on the longer work "Lady McGowan's Dream" and the three-part Summer Sequence.
Burns worked with numerous other musicians. Stan Getz was featured as a tenor saxophone soloist on "Early Autumn", a huge hit for the band and the launching platform for Getz's solo career. Burns also worked in a small band with soloists including Bill Harris and Charlie Ventura.
The success of the Herman band provided Burns the ability to record under his own name in the 1950s. He collaborated with Billy Strayhorn, Lee Konitz and Ben Webster to create both jazz and classical recordings. He wrote compositions for Tony Bennett and Johnny Mathis and later Aretha Franklin and Natalie Cole. Burns was responsible for the arrangement and introduction of a string orchestra on two of Ray Charles's biggest hits, "Come Rain or Come Shine" and "Georgia on My Mind".
In the 1960s, Burns was freed from touring as a band pianist, and began arranging/orchestrating for Broadway including the major show Chicago, Funny Girl, No, No, Nanette, and Sweet Charity. In 1971, Burns first film assignment was for Woody Allen's Bananas. Burns worked with film-director Bob Fosse and in 1972 won the Academy Award as music supervisor for Cabaret. He composed the film scores for Lenny (1974) and Martin Scorsese's jazz-themed New York, New York (1977). Fosse again employed Burns to create the soundtrack for All That Jazz for which he also won an Academy Award in 1979. He then worked on Urban Cowboy (1980) and in 1982, Burns received another Academy Award nomination for his work in Annie.
His work for the stage was also notable. Baryshnikov on Broadway in 1980 earned Burns an Emmy Award for his work. In the 1990s, Burns arranged music for Mel Tormé, John Pizzarelli and Michael Feinstein. Burns won the Tony Award for Best Orchestrations in 1999 for Fosse and posthumously in 2002 for Thoroughly Modern Millie, which also garnered him the Drama Desk Award for Outstanding Orchestrations. The latter were won with Doug Besterman. From 1996 until his death, Burns restored many orchestrations for New York City Center's Encores! series -- revivals of both his own shows and shows originally orchestrated by others.[1] Burns was inducted into the New England Jazz Hall of Fame in 2004.
Some of his work:
Sweet Charity (1969) (orchestrator)
Move (1970) (orchestrator)
Bananas (1971) (orchestrator)
Pippin (musical) (1971) (orchestrator)
Cabaret'' (1972) (conductor, arranger, supervisor)
Lenny (1974) (music supervisor)
Mame (1974) (musical director) (orchestrator)
New York, New York (1977) (conductor, supervisor)
The World's Greatest Lover (1977) (orchestrator)
High Anxiety (1977) (orchestrator)
All That Jazz (1979) (conductor, arranger, supervisor) (uncredited)
Baryshnikov on Broadway (1980) (TV) (music arranger)
Urban Cowboy (1980) (music adaptor)
First Family (1980) (composer: additional music, uncredited, conductor, adaptor)
Bring Back Birdie (1981) (orchestrator supervisor)
Pippin: His Life and Times (1981) (TV) (music arranger)
History of the World: Part I (1981) (orchestrator: "The Spanish Inquisition")
Annie (1982) (conductor, arranger)
Jinxed! (1982) (reunion scene arranger and orchestrator)
To Be or Not to Be (1983) (orchestrator)
A Chorus Line (1985) (conductor, arranger)
In the Mood (1987) (conductor, orchestrator)
The Josephine Baker Story (1991) (TV)
Life Stinks (1991) (dance orchestrator)
The Addams Family (1991) (additional orchestrator)
Fosse (2001) (TV) (orchestrator)
Chicago (2002) (special thanks)
Awards
1973 Academy Award for Best Scoring Original Song Score or Adaptation Score – Cabaret
1980 Academy Award for Best Scoring Original Song Score or Adaptation Score – All That Jazz
1980 Emmy Award for Outstanding Achievement in Music Direction – Baryshnikov on Broadway
1999 Tony Award for Best Orchestrations – Fosse
2002 Drama Desk Award for Outstanding Orchestrations – Thoroughly Modern Millie
2002 Tony Award for Best Orchestrations – Thoroughly Modern Millie
Nominations
Nominations:
1983 Best Music, Original Song Score and Its Adaptation or Best Adaptation Score – Annie
1986 Drama Desk Award for Outstanding Orchestration – Sweet Charity
See also
Here are the six arrangers previously mentioned, standing in front of Guernica, then on loan to the MOMA.
{Guernica is a painting by Pablo Picasso. It was created in response to the bombing of Guernica, a Basque Country village in northern Spain by German and Italian warplanes at the behest of the Spanish Nationalist forces, on 26 April 1937, during the Spanish Civil War. The Spanish Republican government commissioned Picasso to create a large mural for the Spanish display at the Exposition Internationale des Arts et Techniques dans la Vie Moderne at the 1937 World's Fair in Paris.
Guernica shows the tragedies of war and the suffering it inflicts upon individuals, particularly innocent civilians. This work has gained a monumental status, becoming a perpetual reminder of the tragedies of war, an anti-war symbol, and an embodiment of peace. Upon completion Guernica was displayed around the world in a brief tour, becoming famous and widely acclaimed. This tour helped bring the Spanish Civil War to the world's attention.]
There is a photographic blemish near and on Edwin P Finkel, but our interest now is upon the young man (who looks like he only recently started paying adult admission at movie theaters), with his arms folded...Ralph Burns.
Ralph Burns (né Ralph Jose P. Burns; 29 June, 1922 Newton, Massachusetts — 21 November, 2001 Los Angeles) was an American songwriter, bandleader, composer, conductor, arranger and bebop pianist.
Burns was born in Newton, Massachusetts where he began playing the piano as a child. In 1938, he attended the New England Conservatory of Music. He admitted that he learned the most about jazz by transcribing the works of Count Basie, Benny Goodman and Duke Ellington. While a student, Burns lived in Frances Wayne's home. Wayne was already a well-known big band singer and her brother Nick Jerret was a bandleader who began working with Burns. He found himself in the company of such famous performers as Nat King Cole and Art Tatum.
After Burns moved to New York in the early 1940s, he met Charlie Barnet and the two began working together. In 1944, he joined the Woody Herman band with members Neal Hefti, Bill Harris, Flip Phillips, Chubby Jackson and Dave Tough. Together, the group developed a powerful and distinctive sound. For 15 years, Burns wrote or arranged many of the band's major hits including "Bijou", "Northwest Passage" and "Apple Honey", and on the longer work "Lady McGowan's Dream" and the three-part Summer Sequence.
Burns worked with numerous other musicians. Stan Getz was featured as a tenor saxophone soloist on "Early Autumn", a huge hit for the band and the launching platform for Getz's solo career. Burns also worked in a small band with soloists including Bill Harris and Charlie Ventura.
The success of the Herman band provided Burns the ability to record under his own name in the 1950s. He collaborated with Billy Strayhorn, Lee Konitz and Ben Webster to create both jazz and classical recordings. He wrote compositions for Tony Bennett and Johnny Mathis and later Aretha Franklin and Natalie Cole. Burns was responsible for the arrangement and introduction of a string orchestra on two of Ray Charles's biggest hits, "Come Rain or Come Shine" and "Georgia on My Mind".
In the 1960s, Burns was freed from touring as a band pianist, and began arranging/orchestrating for Broadway including the major show Chicago, Funny Girl, No, No, Nanette, and Sweet Charity. In 1971, Burns first film assignment was for Woody Allen's Bananas. Burns worked with film-director Bob Fosse and in 1972 won the Academy Award as music supervisor for Cabaret. He composed the film scores for Lenny (1974) and Martin Scorsese's jazz-themed New York, New York (1977). Fosse again employed Burns to create the soundtrack for All That Jazz for which he also won an Academy Award in 1979. He then worked on Urban Cowboy (1980) and in 1982, Burns received another Academy Award nomination for his work in Annie.
His work for the stage was also notable. Baryshnikov on Broadway in 1980 earned Burns an Emmy Award for his work. In the 1990s, Burns arranged music for Mel Tormé, John Pizzarelli and Michael Feinstein. Burns won the Tony Award for Best Orchestrations in 1999 for Fosse and posthumously in 2002 for Thoroughly Modern Millie, which also garnered him the Drama Desk Award for Outstanding Orchestrations. The latter were won with Doug Besterman. From 1996 until his death, Burns restored many orchestrations for New York City Center's Encores! series -- revivals of both his own shows and shows originally orchestrated by others.[1] Burns was inducted into the New England Jazz Hall of Fame in 2004.
Some of his work:
Sweet Charity (1969) (orchestrator)
Move (1970) (orchestrator)
Bananas (1971) (orchestrator)
Pippin (musical) (1971) (orchestrator)
Cabaret'' (1972) (conductor, arranger, supervisor)
Lenny (1974) (music supervisor)
Mame (1974) (musical director) (orchestrator)
New York, New York (1977) (conductor, supervisor)
The World's Greatest Lover (1977) (orchestrator)
High Anxiety (1977) (orchestrator)
All That Jazz (1979) (conductor, arranger, supervisor) (uncredited)
Baryshnikov on Broadway (1980) (TV) (music arranger)
Urban Cowboy (1980) (music adaptor)
First Family (1980) (composer: additional music, uncredited, conductor, adaptor)
Bring Back Birdie (1981) (orchestrator supervisor)
Pippin: His Life and Times (1981) (TV) (music arranger)
History of the World: Part I (1981) (orchestrator: "The Spanish Inquisition")
Annie (1982) (conductor, arranger)
Jinxed! (1982) (reunion scene arranger and orchestrator)
To Be or Not to Be (1983) (orchestrator)
A Chorus Line (1985) (conductor, arranger)
In the Mood (1987) (conductor, orchestrator)
The Josephine Baker Story (1991) (TV)
Life Stinks (1991) (dance orchestrator)
The Addams Family (1991) (additional orchestrator)
Fosse (2001) (TV) (orchestrator)
Chicago (2002) (special thanks)
Awards
1973 Academy Award for Best Scoring Original Song Score or Adaptation Score – Cabaret
1980 Academy Award for Best Scoring Original Song Score or Adaptation Score – All That Jazz
1980 Emmy Award for Outstanding Achievement in Music Direction – Baryshnikov on Broadway
1999 Tony Award for Best Orchestrations – Fosse
2002 Drama Desk Award for Outstanding Orchestrations – Thoroughly Modern Millie
2002 Tony Award for Best Orchestrations – Thoroughly Modern Millie
Nominations
Nominations:
1983 Best Music, Original Song Score and Its Adaptation or Best Adaptation Score – Annie
1986 Drama Desk Award for Outstanding Orchestration – Sweet Charity
See also
See photo in original gallery.