Granby Mill Village

The Granby Mill and adjacent Granby Mill Village were designed, built and managed by the prominent textile mill designer W. B. Smith Whaley whose firm was one of the Southeast’s most prolific and innovative. Granby, initially constructed in 1896-1897, was the second Columbia mill built by Whaley, the first being the Richland Mill built in 1894-1895. Granby represented Whaley’s first major technological improvement in mill design, being the first cotton mill in the state to be powered by a “remote,” off-site source of hydroelectric power. The mill is a large rectangular shaped, flat roofed, Romanesque Revival style four-story brick building having uniform fenestration with buttresses inserted at regular intervals and two projecting five-story entrance towers on the front façade. The Granby Mill Village depicts one of the best preserved turn-of-the-century mill villages found in the state with some 112 of the 121 originally built dwellings remaining with most retaining a high degree of physical integrity. The Granby Mill Village is architecturally noteworthy because its predominant “saltbox” operative dwelling design based on New England antecedents truly reflects Whaley’s training and experience during his formative years in the Northeast. The Granby Village’s physical neatness, cohesive character, and predominant “saltbox” design present a distinctive and striking visual impact characteristic of the translation of the traditional New England mill village design to a late nineteenth century Southern setting. The village presently consists of the main mill building, the mill gatehouse, the ca. 1902 two-story mill office building, commercial buildings, a Gothic Revival church and operatives’ houses. Listed in the National Register September 20, 1993.
Forest Hills Historic District

The Forest Hills Historic District is significant as an excellent example of early twentieth-century planned suburban residential development. Forest Hills reflects suburban development trends dating back to “the era’s most notable experiment in planned suburban development,” Forest Hills Gardens on Long Island designed by Frederick Law Olmsted, Jr. in 1909. The interstices of the City Beautiful Movement and the new vision of the Arts and Crafts Movement inspired efforts across the country to provide beautiful housing in a natural, park-like setting free from the ugliness, congestion, and unsanitary conditions of urban living. This was the vision pursued by developer Joseph Walker and landscape architect Harlan Kelsey in the first phase of Forest Hills’ development. Later phases of development followed the more traditional urban grid pattern that had well-established precedents in other early Columbia suburbs. Forest Hills is also significant for its association with a person of local importance. Joseph Walker, a Columbia cotton merchant and developer, acquired and developed the approximately 100 acres formerly known as Abney Park into Forest Hills. His vision for the land he acquired in 1925 is still evident today. And finally, Forest Hills is significant as an excellent example of trends in residential planning and architecture for the first half of the twentieth century as well as representing the work of masters in planning and architecture. The district contains 215 residences, a designed landscape with 9 “little parks,” and a historic monument dedicated to Wade Hampton, III that contribute to the historic character of the district. Thirty residences are non-contributing. The historic resources of the district date from 1903 to 1957. One residence predates the development of Forest Hills. All others properties were constructed after 1927. The district features excellent examples of Tudor Revival, Colonial Revival, Neoclassical Revival, Mission/Spanish Colonial Revival, French Renaissance, Craftsman/Bungalow, Western Stick, International, Monterey, minimal traditional houses, and homes with an Art Deco influence. Listed in the National Register September 28, 2007.
Elmwood Park Historic District

Elmwood Park Historic District is a turn-of-the-century suburb developed at a time of major suburban growth in the Columbia area. The district is a collection of 279 primarily residential properties, 219 of which are considered contributing. The district’s resources date from the turn of the twentieth century to 1940. Elmwood Park’s southern boundary, Elmwood Avenue, was the northern border of the city of Columbia. There had been scattered settlement in the area since at least 1872, but no planned suburban growth until 1891 when the first part of the neighborhood was platted on land off Main Street. The bulk of what would become Elmwood Park was used as a fairgrounds until 1903. The area developed rapidly as land became available. Many of the houses in the suburb typify the trend in architecture away from elaborate styles and toward “the comfortable house.” Styles range from the numerous Queen Anne, Four-Square, and gable-front houses, to a few Colonial Revival houses. One-story structures are predominantly Craftsman influenced. Brick bungalows are evident as infill from the 1920s and 1930s. There are also a number of shotgun houses in the earliest developed part of the neighborhood. Two neighborhood schools in the district are typical of school design of the day, being monumental in scale. Logan School is the work of well-known local architect, J. Carroll Johnson, chief draftsman for Wilson & Sompayrac. James Burwell Urquhart, another prominent Columbia architect, designed Wardlaw Junior High School. As a nearly intact suburb, Elmwood Park illustrates the shift in Columbia, and nationwide, to the suburbs. Listed in the National Register May 3, 1991; Boundary increase May 13, 2002.
Columbia Historic District II

The Columbia Historic District II is a collection of 113 properties located in the northeast quadrant of the original city of Columbia. The majority of the buildings in the district were constructed as residences; however, many of them are now used for commercial purposes. The district also contains several religious properties. Most of the buildings in the district were constructed between the early nineteenth century and the 1930s; approximately fifty percent were built between 1900 and 1918. The district includes a wide diversity of representative architectural types and styles including Greek Revival, Gothic Revival, Victorian, Neo-Classical, Bungalow, and Four-Square. In addition, the Columbia Historic District II contains houses associated with numerous prominent citizens of Columbia, and residences and churches reflecting various aspects of the history of the city. The neighborhoods of the district have developed around the pivotal buildings, the antebellum landmarks and the churches, in an ordered, consistent pattern. The consistency of scale, building setbacks, and landscaping create a sense of cohesiveness and unity in the district. Diverse materials (stone, brick, molded concrete block, wood) have been used with continued mutual co-existence establishing the district’s integrity. The modern intrusions within the district have generally been controlled by city zoning laws reducing their impact on the historic character of the district. Listed in the National Register May 6, 1971; Boundary increase June 28, 1982.
Columbia Historic District I

The area of the Columbia Historic District I was established as a result of Columbia’s development into a center of government and trade between the upper and lower parts of the state. Also known as Arsenal Hill, the area was a complex of fine mansions and attractive homes built before the Civil War. The district is politically significant as a center of state and nationally related affairs with the Governor’s Mansion as the focal point. It is architecturally significant for the variety of architectural styles indicative or unique to the area such as Greek Revival, Italianate, Classical Revival, and the “Columbia Cottage.” Noteworthy landscape architecture in the district includes the Caldwell-Hampton-Boylston House gardens, a significant example of evolving garden planning from the time the house was built ca. 1830 through its development formally in the 1890s to the present. Arsenal Hill has retained stately tree-lined streets and a number of its original homes. Listed in the National Register May 6, 1971.
Benedict College Historic District

The Benedict College Historic District is located near the center of the Benedict College campus. Including five buildings constructed between 1895 and 1937 and displaying a variety of architectural characteristics, the district is a central visual feature of the campus. There have been significant changes in the appearance of the Benedict campus over the years, most notably when the original eighty-acre tract was reduced to twenty acres and more recently in the 1960s when several historic buildings were demolished to build modern facilities. Benedict College is significant as one of the earliest African American colleges in the South and as an institution that has continued to play a prominent role in African American education in South Carolina. It was established as Benedict Institution in 1870 through efforts by the American Baptist Home Mission Society to provide education for freedmen and their descendants. The college is named for Stephen and Bethsheba Benedict of Rhode Island who bequeathed the original funding for the school. The college’s first seven presidents were white Baptist ministers from the North. Not until 1929, when Dr. J. J. Starks succeed to the presidency, did Benedict College have an African American administration. The college served as one of the most significant centers of African American activities in the years before desegregation. A branch of the NAACP was founded at Benedict in 1937 as part of the nationwide NAACP campaign for passage of an anti-lynching bill in Congress. Students took part in a nationwide youth demonstration against lynching in February of that year. This student involvement was significant as one of the first civil rights campaigns in South Carolina before WWII. Listed in the National Register April 20, 1987.
Bellevue Historic District

The Bellevue Historic District is significant for its high concentration of intact examples of early twentieth-century residential architecture placed among intact historic streetscapes. The district is a collection of 233 residential properties, 177 of which are contributing properties. The properties date from the early twentieth century to 1945. Bellevue is an intact example of one of the earliest planned suburban residential neighborhoods in Columbia whose appearance has been largely unaltered by the passage of time. As one of the earliest suburban areas annexed into the city of Columbia, Bellevue played an important role in the early expansion of the capital city beyond its original northern boundary. Today, Bellevue is commonly known as “Cottontown,” named for the cotton storage warehouses that once operated in the area. The neighborhood sits on land once owned by the Wallace family, who, in ca. 1893, sold to the state property which is now the S.C. State Hospital campus. Although several early twentieth-century house types are present, including Tudor Revival and Colonial Revival, the Craftsman/Bungalow is the most prevalent type. In general, the homes retain their historic appearance and architectural integrity. The neighborhood’s streetscapes are also largely unaltered. Listed in the National Register September 30, 1997.
Allen University Historic District

Among the many private schools and universities for African Americans founded during the post-bellum period, Allen University was probably the first founded and operated by African Americans in South Carolina. Established by the African Methodist Episcopal Church, Allen University was influenced by the denomination’s emphasis on education and a trained clergy. Named for Richard Allen, founder of the A.M.E. Church, Allen University was one of several universities established by the A.M.E. Church in the South following the Civil War. Begun four years after the University of South Carolina was closed to African Americans, Allen helped fill the pressing need for African American education in South Carolina. The university purchased its first property in Columbia in 1881. The first major building was erected and in use on the present site in 1888. The campus historic district contains four major buildings, ranging in date from 1891 to 1941, situated around a campus green. The architecture is typical of many university buildings around the country, characterized by red brick construction, white columns, and classical symmetry and detailing. Listed in the National Register April 14, 1975
View over the switchbacks snaking up the Machu Picchu Mountain with the Inca ruins of Machu Picchu in the background obscured by clouds
Forest Hills Historic District

The Forest Hills Historic District is significant as an excellent example of early twentieth-century planned suburban residential development. Forest Hills reflects suburban development trends dating back to “the era’s most notable experiment in planned suburban development,” Forest Hills Gardens on Long Island designed by Frederick Law Olmsted, Jr. in 1909. The interstices of the City Beautiful Movement and the new vision of the Arts and Crafts Movement inspired efforts across the country to provide beautiful housing in a natural, park-like setting free from the ugliness, congestion, and unsanitary conditions of urban living. This was the vision pursued by developer Joseph Walker and landscape architect Harlan Kelsey in the first phase of Forest Hills’ development. Later phases of development followed the more traditional urban grid pattern that had well-established precedents in other early Columbia suburbs. Forest Hills is also significant for its association with a person of local importance. Joseph Walker, a Columbia cotton merchant and developer, acquired and developed the approximately 100 acres formerly known as Abney Park into Forest Hills. His vision for the land he acquired in 1925 is still evident today. And finally, Forest Hills is significant as an excellent example of trends in residential planning and architecture for the first half of the twentieth century as well as representing the work of masters in planning and architecture. The district contains 215 residences, a designed landscape with 9 “little parks,” and a historic monument dedicated to Wade Hampton, III that contribute to the historic character of the district. Thirty residences are non-contributing. The historic resources of the district date from 1903 to 1957. One residence predates the development of Forest Hills. All others properties were constructed after 1927. The district features excellent examples of Tudor Revival, Colonial Revival, Neoclassical Revival, Mission/Spanish Colonial Revival, French Renaissance, Craftsman/Bungalow, Western Stick, International, Monterey, minimal traditional houses, and homes with an Art Deco influence. Listed in the National Register September 28, 2007.
Forest Hills Historic District

The Forest Hills Historic District is significant as an excellent example of early twentieth-century planned suburban residential development. Forest Hills reflects suburban development trends dating back to “the era’s most notable experiment in planned suburban development,” Forest Hills Gardens on Long Island designed by Frederick Law Olmsted, Jr. in 1909. The interstices of the City Beautiful Movement and the new vision of the Arts and Crafts Movement inspired efforts across the country to provide beautiful housing in a natural, park-like setting free from the ugliness, congestion, and unsanitary conditions of urban living. This was the vision pursued by developer Joseph Walker and landscape architect Harlan Kelsey in the first phase of Forest Hills’ development. Later phases of development followed the more traditional urban grid pattern that had well-established precedents in other early Columbia suburbs. Forest Hills is also significant for its association with a person of local importance. Joseph Walker, a Columbia cotton merchant and developer, acquired and developed the approximately 100 acres formerly known as Abney Park into Forest Hills. His vision for the land he acquired in 1925 is still evident today. And finally, Forest Hills is significant as an excellent example of trends in residential planning and architecture for the first half of the twentieth century as well as representing the work of masters in planning and architecture. The district contains 215 residences, a designed landscape with 9 “little parks,” and a historic monument dedicated to Wade Hampton, III that contribute to the historic character of the district. Thirty residences are non-contributing. The historic resources of the district date from 1903 to 1957. One residence predates the development of Forest Hills. All others properties were constructed after 1927. The district features excellent examples of Tudor Revival, Colonial Revival, Neoclassical Revival, Mission/Spanish Colonial Revival, French Renaissance, Craftsman/Bungalow, Western Stick, International, Monterey, minimal traditional houses, and homes with an Art Deco influence. Listed in the National Register September 28, 2007.
Forest Hills Historic District

The Forest Hills Historic District is significant as an excellent example of early twentieth-century planned suburban residential development. Forest Hills reflects suburban development trends dating back to “the era’s most notable experiment in planned suburban development,” Forest Hills Gardens on Long Island designed by Frederick Law Olmsted, Jr. in 1909. The interstices of the City Beautiful Movement and the new vision of the Arts and Crafts Movement inspired efforts across the country to provide beautiful housing in a natural, park-like setting free from the ugliness, congestion, and unsanitary conditions of urban living. This was the vision pursued by developer Joseph Walker and landscape architect Harlan Kelsey in the first phase of Forest Hills’ development. Later phases of development followed the more traditional urban grid pattern that had well-established precedents in other early Columbia suburbs. Forest Hills is also significant for its association with a person of local importance. Joseph Walker, a Columbia cotton merchant and developer, acquired and developed the approximately 100 acres formerly known as Abney Park into Forest Hills. His vision for the land he acquired in 1925 is still evident today. And finally, Forest Hills is significant as an excellent example of trends in residential planning and architecture for the first half of the twentieth century as well as representing the work of masters in planning and architecture. The district contains 215 residences, a designed landscape with 9 “little parks,” and a historic monument dedicated to Wade Hampton, III that contribute to the historic character of the district. Thirty residences are non-contributing. The historic resources of the district date from 1903 to 1957. One residence predates the development of Forest Hills. All others properties were constructed after 1927. The district features excellent examples of Tudor Revival, Colonial Revival, Neoclassical Revival, Mission/Spanish Colonial Revival, French Renaissance, Craftsman/Bungalow, Western Stick, International, Monterey, minimal traditional houses, and homes with an Art Deco influence. Listed in the National Register September 28, 2007.
See photo in original gallery.