20BN3175
March 10, 2013 -- Morning through the windows at chez McLennan.

As part of an online film class I've been taking,we watched Punch-Drunk Love to see how the director, Paul Thomas. Anderson, used color and framing to help tell the story. He did a lot of framing with horizontal and vertical lines, which inspired this attempt to use the vertical and horizontal lines around my house to see what happened. He also uses color motifs of red, blue, green, and white, plus lens flare -- I didn't try to emulate those...yet. (Actually, the color motifs are far more obvious than the framing. It is probably one of the better Adam Sandler movies too.)
dining room table bathed in natural light from bay window with fruit bowl
great room living room empty in condominium with wood floors fireplace suburban home
great room living room empty in condominium with wood floors fireplace suburban home
great room living room empty in condominium with wood floors fireplace suburban home
bathroom powder room  natural light modern condominium condo apartment house home
The Architecht's Office

This is one of the office buildings being used by White arkitekter. They designed it themselves and it stood finished in 2003.
national presidential palace guatemala city central america
March 10, 2013 -- Morning through the windows at chez McLennan.

As part of an online film class I've been taking,we watched Punch-Drunk Love to see how the director, Paul Thomas. Anderson, used color and framing to help tell the story. He did a lot of framing with horizontal and vertical lines, which inspired this attempt to use the vertical and horizontal lines around my house to see what happened. He also uses color motifs of red, blue, green, and white, plus lens flare -- I didn't try to emulate those...yet. (Actually, the color motifs are far more obvious than the framing. It is probably one of the better Adam Sandler movies too.)
March 10, 2013 -- Morning through the windows at chez McLennan.

As part of an online film class I've been taking,we watched Punch-Drunk Love to see how the director, Paul Thomas. Anderson, used color and framing to help tell the story. He did a lot of framing with horizontal and vertical lines, which inspired this attempt to use the vertical and horizontal lines around my house to see what happened. He also uses color motifs of red, blue, green, and white, plus lens flare -- I didn't try to emulate those...yet. (Actually, the color motifs are far more obvious than the framing. It is probably one of the better Adam Sandler movies too.)
March 10, 2013 -- Morning through the windows at chez McLennan.

As part of an online film class I've been taking,we watched Punch-Drunk Love to see how the director, Paul Thomas. Anderson, used color and framing to help tell the story. He did a lot of framing with horizontal and vertical lines, which inspired this attempt to use the vertical and horizontal lines around my house to see what happened. He also uses color motifs of red, blue, green, and white, plus lens flare -- I didn't try to emulate those...yet. (Actually, the color motifs are far more obvious than the framing. It is probably one of the better Adam Sandler movies too.)
See photo in original gallery.